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Course Listing for FINE ARTS - Fall 2026 (ALL: 09/08/2026 - 12/23/2026)
Class
No.
Course ID Title Credits Type Instructor(s) Days:Times Location Permission
Required
Dist Qtr
2116 AHIS-102-01 Intro Hist Art West II 1.00 LEC Triff, Kristin
Scanlan, Suzanne
TR: 1:30PM-2:45PM TBA ART  
  Enrollment limited to 49 Waitlist available: N Mode of Instruction: In Person  
  A survey of the history of painting, sculpture, and architecture from the Renaissance to the present day.
3337 AHIS-201-01 Intro to Islamic Art/Arc 1.00 LEC Staff, Trinity MW: 2:55PM-4:10PM TBA GLB1  
  Enrollment limited to 25 Waitlist available: N Mode of Instruction: In Person  
  This course introduces the visual arts of the Islamic lands through the study of selected masterpieces dating from 600-1500 AD. These will be chosen to represent a wide variety of forms, functions, regions, techniques and ideas. The course will explore all the major arts of the Islamic lands, including religious and secular architecture, the arts of the book, textiles, ceramics, metalwork and woodwork. Firsthand examination of original works of art in Boston and Springfield will be emphasized.
2639 AHIS-224-01 Understanding Architecture 1.00 LEC Granston, Willie TR: 10:50AM-12:05PM TBA ART  
  Enrollment limited to 25 Waitlist available: N Mode of Instruction: In Person  
  This course introduces a range of approaches to understand architecture in an historical perspective. Focusing on European and American architecture from 1400 to the present, lectures and discussions will consider how architects have approached the built environment at various times in both urban and rural settings. Lectures and class discussions will discuss ways that buildings, gardens, landscapes, and urban plans have been shaped by cultural values, social beliefs, political and technological developments, rubrics of art, and responses to nature. In addition to situating architecture within historical perspectives, this class provides students with the tools to begin analyzing, understanding, and decoding the landscapes and environments that we inhabit today.
3335 AHIS-246-01 Art in the Age of Absolutism 1.00 LEC Triff, Kristin TBA TBA ART  
  Enrollment limited to 25 Waitlist available: N Mode of Instruction: In Person  
  During the seventeenth century, Europe underwent a series of civil, religious, and economic upheavals which paradoxically resulted in a period of extraordinarily innovative art. This course begins with the rise of the Roman Baroque, from the disturbing realism of Caravaggio to the multi-media theatricality of Bernini, examining artistic patronage and production in the highly charged political, social, and cultural contexts of Europe during and after the Thirty Years' War. It continues with a study of the broad range of artistic response to these developments in both Southern and Northern Europe, from the elaborate state pageantry of Rubens to the intensely personal portraiture of Rembrandt. Other artists to be studied include Poussin, Le Brun, Zurbaran, Velazquez, Van Dyck, and Vermeer.
3244 AHIS-261-01 19th-Cent Painting & Sculpture 1.00 LEC Scanlan, Suzanne TR: 9:25AM-10:40AM TBA ART  
  Enrollment limited to 25 Waitlist available: N Mode of Instruction: In Person  
  A study of European painting and sculpture from the Romanticism of the late 18th century to the emergence of new directions at the end of the 19th century. The course is adapted each year to take advantage of major exhibitions. Museum visits and extensive readings will be integral to the makeup of the course.
3245 AHIS-282-01 20th Cen Avant Garde 1.00 LEC FitzGerald, Michael T: 6:30PM-9:00PM TBA ART  
  Enrollment limited to 25 Waitlist available: N Mode of Instruction: In Person  
  This course addresses the position of art in European and American society from 1890 to 1945 when the concept of the artist as a rebel and visionary leader defined art's relation to contemporary social, political, and aesthetic issues. The movements of symbolism, expressionism, cubism, dada, and surrealism are discussed. Current exhibitions and the collection of the Wadsworth Atheneum are used whenever appropriate.
3246 AHIS-286-01 Modrn Architectur:1900-Present 1.00 LEC Granston, Willie TR: 2:55PM-4:10PM TBA ART  
  Enrollment limited to 25 Waitlist available: N Mode of Instruction: In Person  
  This course surveys broad developments in architecture, design, and urban planning as they relate to social, political, and cultural changes between roughly 1900 and the present. With a focus on Western Europe and America, topics include Viennese Modernism, the legacy of the Arts and Crafts movement, the Bauhaus, the International Style, the birth of Modernism, Brutalism, Postmodernism, and the architecture of the recent past. Close attention will be given to figures including Le Corbusier, Frank Lloyd Wright, Walter Gropius, Robert Venturi, and Frank Gehry, but the class will also include discussion of important practitioners who have historically been omitted from architectural studies.
1679 AHIS-301-01 Major Sem Art Hist Meth 1.00 SEM FitzGerald, Michael W: 1:30PM-4:10PM TBA WEB  
  Enrollment limited to 15 Waitlist available: N Mode of Instruction: In Person  
  Required of and limited to art history majors, as one of the first courses they take after declaring their major. Studies in the tradition and methodology of art historical research. Readings in classics of the literature of art history; discussions of major issues and meeting with scholars and museum professionals; students will pursue an active research project and present both oral reports and formal written research papers.
3247 AHIS-307-01 Architecture of Leisure 1.00 SEM Granston, Willie M: 1:30PM-4:10PM TBA ART  
  Enrollment limited to 15 Waitlist available: N Mode of Instruction: In Person  
  This seminar considers how architecture and the built environment have been used to facilitate and satisfy American expectations of recreation and leisure. Through close-reading and discussion of primary and secondary sources, lectures, field trips, and class activities, this class will analyze buildings and landscapes as means of understanding social values and cultural beliefs at various times. Topics will include conceptions of nature, the evolution of specific building types, like hotels, the development of specific architectural styles, like the Shingle Style, and the changing beliefs relating to material choices. Focusing on the 19th and 20th centuries, this class will also consider how race and socioeconomic status impacted architectural decisions and the lived experience as it related to this landscape of leisure.
3360 AHIS-364-01 Architectural Drawing 1.00 LEC Rothblatt, Rob W: 1:30PM-4:10PM TBA ART  
  Enrollment limited to 16 Waitlist available: N Mode of Instruction: In Person  
    Cross-listing: ENGR-341-01
  A conceptual and practical introduction to the varied types of architectural drawings used to describe and perceive buildings. Tailored for liberal arts students, topics include geometry vs perception, freehand drawings, foreshortening, drafting measured drawings, understanding plans and sections, 3D parallel projection drawings, and setting up basic perspective views Students study and analyze inspiring drawings and buildings from their related classes, whether Art History, Engineering or Urban Studies. The class is taught as a hands-on studio course. This class serves as a prerequisite for AHIS 365/ENGR 342.
3248 AHIS-365-01 Elements -Architectural Design 1.00 LEC Rothblatt, Rob M: 1:30PM-4:10PM TBA ART  
  Enrollment limited to 16 Waitlist available: N Mode of Instruction: In Person  
    Cross-listing: ENGR-342-01
  Prerequisite: C- or better in Art History 364.
  Echoing the curriculum in Architecture Schools but tailored for liberal arts students in a studio setting, this class teaches the basics of architectural design and language. Through sketches, hardline drawings, and model-making, students explore the fundamental principles of hierarchy, proportion, space, light, surface, order, rhythm, contrast, tectonics, craftsmanship and technique. This course includes a series of pedagogically stepped abstract projects, adding complexity and dimensions, understanding and building upon what is successful in each project, culminating with a project exploring and adding the critical concepts of site, context and program. This class is recommended for those who might consider graduate study in architecture.
1479 AHIS-399-01 Independent Study 1.00 - 2.00 IND TBA TBA TBA Y ART  
  Enrollment limited to 15 Waitlist available: N Mode of Instruction: In Person  
  Submission of the special registration form, available in the Registrar's Office, and the approval of the instructor and program director are required for enrollment.
1391 AHIS-466-01 Teaching Assistant 0.50 - 1.00 IND TBA TBA TBA Y  
  Enrollment limited to 15 Waitlist available: N Mode of Instruction: In Person  
  NOTE: Requires completion of the Special Registration Form, available in the Office of the Registrar.
  Submission of the special registration form, available online, and the approval of the instructor are required for enrollment. Guidelines are available in the College Bulletin. (0.5 - 1 course credit)
2353 AHIS-497-01 Senior Thesis 1.00 IND TBA TBA TBA Y ART  
  Enrollment limited to 15 Waitlist available: N Mode of Instruction: In Person  
  An individual tutorial to prepare an extended paper on a topic in art history. An oral presentation of a summary of the paper will be delivered in the spring term. Submission of the special registration form, available online, and the approval of the instructor and program director are required for enrollment in this course. (1 course credit to be completed in one semester.)
3354 CLCV-111-01 Intro Classical Art/Archaeolgy 1.00 LEC Staff, Trinity TR: 2:55PM-4:10PM TBA ART  
  Enrollment limited to 39 Waitlist available: N Mode of Instruction: In Person  
  Also cross-referenced with ARTHISTORY, URST
  A survey of the art and archaeology of the classical world, from the Neolithic period through the Roman Empire. Topics of discussion include sculpture, pottery, painting, architecture, town planning, burial practices, and major monuments, as well as archaeological method and theory.