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Class number:
3175
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Title: Otherness in Italian Cinema |
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Department: Language and Culture Studies |
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Career: Undergraduate |
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Component: Seminar |
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Session: Regular |
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Instructor's Permission Required: No |
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Grading Basis: Regular |
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Units: 1.00 |
| Enrollment limited to 10 |
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Current enrollment: 10 |
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Available seats: 0 |
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Start date: Tuesday, September 3, 2024 |
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End date: Wednesday, December 18, 2024 |
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Mode of Instruction: In Person |
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Schedule: MW: 1:30PM-2:45PM, LSC - 133 |
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Instructor(s): Di Florio, Martina |
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Prerequisite(s): None |
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Distribution Requirement: Meets Humanities and Global Requirements |
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Note: Seat Reservations: 5 for freshmen, 5 for sophomores and 5 for juniors across ITAL and LACS. |
Course Description:
From its beginnings in the early 20th C to the present, Italian Cinema has represented the social and cultural identity of the 'other' and 'otherness', that is, racial, ethnic, and sexual diversity. This course will study the representation of the different kinds of diversity in Italian film, from Neorealism to recent Italian cinema. We will examine films that deal with immigration and the current refugee crisis in the Mediterranean, but also with LGBT culture and other human rights, as well as with Italians' attitudes toward diverse groups and cultures. How does Italian film historically reflect the 'other' in Italian culture and how is film being shaped by diversity? Films include: "Paisà " (Rossellini, 1946), "Una giornata particolare" (Scola, 1977), "Mine vaganti" (Ozpetek, 2010), "Terraferma" (Crialese, 2011). |